Contact me at Mark@MillerPostProduction.com
Editing, Motion Design, and Post production supervision for the PBS show, Articulate with Jim Cotter
More Editing and Motion Graphics Work from Articulate with Jim Cotter
Joseph Conyers in Concert and Conversation Daytime Emmy-nominated for Best Multicam Editing (Double-bassist)
Crossing Cultures (Edited the Time for Three Segment) Daytime Emmy-nominated for Best Multicam Editing (Classical Trio)
Camille Brown: The Past is Present (Choreographer)
Rufus Wainwright: Learning from Yearning (Singer-songwriter)
Aaron Sorkin’s Second Act (Writer)
The Killers: The Pressure Machine (Musical Group)
Joan Naviyuk Kane: Speaking Their Language (Poet)
Yusef Komunyakaa: War and Peace (Writer)
Balkrishna Doshi: Building Compassion (Architect)
Tobias Frere-Jones: A Man of Letters (Type Designer)
Classical Music Performances with The Philadelphia Orchestra
“…what was wonderful about the production by a collaborative team (Jim Cotter was executive producer) is that it conveyed that live feeling, but with a lot of extras that you don’t get live in the concert hall. Shots of players were smartly chosen, often moving apace with the music. In the most positive sense, the online medium falls away and you really can focus on the music.”
— Peter Dobrin, The Philadelphia Inquirer, October 2nd, 2020
https://www.inquirer.com/arts/philadelphia-orchestra-2020-angel-blue-steve-martin-20201001.html
Pulitzer Prize Winning Play Cost of Living
This is a short excerpt from the edit I did for the Broadway play, “Cost of Living.” Written by Martyna Majok, the play examines two pairs of relationships between disabled and able persons: one between John, a graduate student with cerebral palsy and his female caregiver, Jess, and the other between Ani, who became a quadriplegic following a tragic accident and her ex-husband, Eddie, an unemployed truck driver.
Marketing and Educational Content for The Wharton School
This video was created with the Wharton Development team for “The More Than Ever” campaign which raised over one billion dollars. I primarily worked with them from pre to post-production on the concept, editing, and animation.